Shadow's Son by Jon Sprunk is both the author's debut novel and the beginning of a new trilogy about the principal character, Caim, an assassin with a noble heart. The character is unique in a couple of ways: he has a ghostly familiar in the form of Kit who only he can see and he possesses a mysterious power that manifests itself in the form of shadows.
Told in the vein of Paul S. Kemp's
Erevis Cale or R.A. Salvatore's Drizzt Do'Urden, Caim is a man who has taken up the knives of an assassin because it's what he's good at. He has rules: he doesn't kill women or children, and only takes contracts on those deserving. How the latter is determined is a bit subjective; this sort of vigilante justice inevitably bags the wrong man every once in a while.
Shadow's Son gets off to a rousing start. Caim is in the middle of a job that quickly degenerates into a chase and kill escapade as he refuses to allow his target to get away. From there we begin to learn more about our main character: why he's chosen this life, who his friends are (he doesn't have many), and what aspirations he harbors, especially of leaving the assassination business behind one day.
There is an ensemble of other characters: the beforementioned Kit who shadows Caim's every move, Jospehine, whose father is assassinated under suspicious circumstances and who is forced into an alliance with Caim, Ral, a rival assassin, and three principal villains who I unfortunately found to be caricatures of each other, with the only one displaying any sort of uniqueness being Leviticus because he shares some of the same shadow powers that Caim possesses.
I thought Shadow's Son started out great. But it quickly degenerates into a very predictable, cliché-ridden story. Bad boy hero is really a good guy deep down who develops an impossible relationship with the rich girl whose father he's accused of murdering. Also, he has a dark past tied up with a heritage he insists on denying even though it's pretty obvious there's some truth to it. In the end, he must embrace this heritage and save the city.
As for the characters, Caim often comes across as too noble to have ever gotten mixed up in such a sordid career. Josephine is your typical rich girl who is tougher than she looks; she has some character development, but I wasn't convinced. Kit, who might have been the most interesting of all, has potential that is never fully explored as she conveniently disappears so that Caim and Josephine can get to know each other a little better. The three villains… they're mean, greedy, and power-hungry in equal amounts, but fairly shallow from a motivation perspective.
Shadow's Son is akin to a blockbuster summer movie that almost works: good entertainment but not something that's going to make you think or feel hungry for the next installment. I'll see what Sprunk has in the works for the next book in the series and if it sounds intriguing enough I might pick it up. He at least leaves Caim's future adventures wide-open with the ending of this one.
Join my reader's group and get The Hall of Riddles (An Alchemancer Prequel) and The Assassin's Dilemma (An Assassin Without a Name Prequel) as a welcome gift.